time for refreshments!

And finally, the notes for my last New Jerusalm Palms image, "Times of Refreshment." This inspiration for this piece comes from Acts 3:20-21. "Then times of refreshment will come from the presence of the Lord, and he will again send you Jesus, your appointed Messiah. For he must remain in heaven until the time for the final restoration of all things, as God promised long ago through his holy prophets."



Here's the whole page with overlays in my journal - you can see the scriptural reference noted to the right -



Here's the map overlay by itself, again a map of ancient Jerusalem. I really like the idea of the old Jerusalm connecting with the New Jerusalem, illustrating God's timelessness in his city.



And finally the palm image by itself. Of course, I ended up painting them somewhat differently, but that just shows that the creative process can take twists & turns...

heaven in the studio

This is actually my entry for today on my personal art blog, which you can find at www.judithmonroe.com/journal.html, but it's about my work for this heaven project, so I figured I'd just post it here, too:

More studio work today - and last night -



Wet watercolors on the New Jerusalem Palms mini series (and here you thought that was only on tv.)



This morning, I was working on two things at once - actually alternately, but saying at once is more impressive - in the foreground you can see the new Polaroid transfer wall art plaques I'm working on for a couple venues and back on my drawing table I'm doing the pencil work on the New Jerusalem Palms quartet.

By noon I've already finished the New Jerualem Palms, so I'll share...

My Father's House 1/5

Heavenly Homeland 1/5

City of God 1/5

Times of Refreshment 1/5

dad's house

I spent a couple hours in the darkroom today, printing what I'm now calling my New Jerusalem Palms series. I've shared my journal pages of two of the four pieces already, so I'll share another today, then the uncolored prints (which are drying right now) and finally the finished pieces.


This is the page complete with overlay and miscellaneous notes. The Scripture I'm basing this image on is John 14:1-3, "Don't let your hearts be troubled. Trust in God, and trust also in me. There is more than enough room in my Father's home. If this were not so, would I have told you that I am going to prepare a place for you? When everything is ready, I will come and get you, so that you will always be with me where I am."


My first thought coming from this verse was of a long driveway lined with palms leading to a grand house, like can be found here in the Central Valley. Actually finding what I had in my head proved to be a challenge, and in looking for palms for other images in this series, I found my rows of palms and then thought I could overlay a small image of a home, or an architectural sketch but then realized I already had found an image of a mosaic map of ancient Jerusalem which portrayed buildings, bringing to my mind the idea of a home with many rooms, almost like a city...


So I created an overlay based on the mosaic to use with the palm trees and also create another visual reference to Jerusalem. Of course, the images never work out quite the same in the darkroom as they do in my journal. In this case, the image of the palms was too busy when the overlay was completely over it, but I like the effect on the wide black border around the image, so I cut a hole in the overlay to allow the palms to come through more readable.

It's really exciting for me to have all the pieces come together after messing around with them. This whole conceptual process is new to me, but I'm finding it rewarding in a whole new way.

heavenly homeland

Today I'll take you back to my personal journal work for this show, and the palm theme I've presented before. First, here is the layered image, as seen in my journal:


You can faintly see the map & then the image of palm trees underneath it. Also the last part of the scriptural reference, Hebrews 11: 13-16. "All these people died still believing what God has promised them. They did not receive what was promised, but they saw it all from a distance and welcomed it. They agreed that they were foreigners and nomads here on earth. Obviously people who say such things are looking forward to a country they can call their own. If they had longed for the country they came from, they could have gone back. But they were looking for a better place, a heavenly homeland. That is why God is not ashamed to be called their God, for he has prepared a city for them."

The people referred to in this passage were many of the faithful from the Old Testament, including Noah, Abraham, and then Moses, Rahab, David and many others. The map overlay I used for this came from a map of Jerusalem in 1947.


I did this to tie together the homeland of the ancient Jews, the modern land and then the future homeland referred to in the scripture. There are many references in the Old Testament to the land of Israel being God's permanent home. Leviticus 26:11 & 12 says, "I will live among you, and I will not despise you. I will walk among you; I will be your God, and you will be my people." And in Zechariah 2:10, "The Lord says, 'Shout and rejoice, O beautiful Jerusalem, for I am coming to live among you.'" The concept is a recurring theme among many of the minor prophets.

Finally, I place this all over one of my images of palm trees.


Palm trees can be a symbol for Israel itself, for the tree of life, and they also decorate the true temple, as I've noted before - check out Ezekiel 40 & 41 for yourself.

back to visions

Nearly a month has passed since I've posted here, but that's not to say that work hasn't been getting done... I have been pretty busy on a particular piece that I'll share bit by bit, an altered book titled, "Visions of Heaven." For those unfamiliar with the medium, an altered book is literally a standard published book that has been altered, or changed, into a work of art. Altered books can be written and drawn in, painted, collaged, even cut and glued to express the artist's intent. It's a medium I don't emply often, but it works well with photography, as I can incorporate my images into the book form - something many photographic artists do.

The first detail of the book that I'm sharing is the palm trees that I've added to most pages of the book. This is a recurrance of my palm tree facination, a reference to Ezekiel's tour of the true temple in heaven, which is adorned with carvings of palm trees (see Ezekiel 40.) (You should be able to see any image enlarged by clicking on it.)

The other detail that I'll share this time is the cover, which I have collaged onto with gold paper, a reference to Revelation 21:18, "The wall was made of jasper, and the (holy) city (of Jerusalem that descended out of heaven) was pure gold, as clear as glass." The other item collaged onto the cover is an actual Polaroid transfer of a cross, symbolizing that accepting Christ is the way into heaven, as in Romans 6:23. "For the wages of sin is death, but the free gift of God is eternal life through Christ Jesus our Lord." Thank you, Jesus!

more from ross

This is another piece from acrylic painter Ross Conklin titled, "The New Jerusalem."

For this piece, Ross, who has spent much of his life as a musician as well, draws from the old slavery spiritual, "Goin' to that Beautiful City." He shows us the new Heaven and new Earth coming down from heaven, referred to in Revelation 21, then also refers to Isaiah 12, a song of praise looking forward to the new Jerusalem.

Another reference that Ross uses for this piece is Ecclesiastes 12:5,
"When men are afraid of heights
and of dangers in the streets;
when the almond tree blossoms
and the grasshopper drags himself along
and desire no longer is stirred.
Then man goes to his eternal home
and mourners go about the streets."

Ross points out that believers will be welcomed in the New Jerusalem with 2 Peter 1:11, which says,"And you will receive a rich welcome into the eternal kingdom of our Lord and Savior Jesus Christ."Echoing the sentiment, Ephesians 2:19 says, "Consequently, you are no longer foreigners and aliens, but fellow citizens with God's people and members of God's household."

Finally, Ross refers to Revelation 22: 14-17, which points out that all who invite Christ into their lives will be invited into the New Jerusalem. "Blessed are those who wash their robes, that they may have the right to the tree of life and may go through the gates into the city. Outside are the dogs, those who practice magic arts, the sexually immoral,the murderers, the idolaters and everyone who loves and practices falsehood.
'I, Jesus, have sent my angel to give you this testimony for the churches. I am the Root and the Offspring of David, and the bright and morning star.'
The Spirit and the bride say, 'Come!' And let him who hears say, 'Come!' Whoever is thirsty, let him come, and whoever wishes, let him take the free gift of the water of life."

jerusalem palms

Last week I finally got some new palm tree shots for this project - sometimes squeezing in a long term project like this is tricky amongst the current deadlines - you can see my journal for the shooting session at my Wanderings blog (http://www.judithmonroe.com/journal.html.)

So I was able to insert a copy of photos into my heaven journal, to help guide me when I go into the darkroom - also tricky to squeeze in sometimes - this is what the whole thing looks like when layered, a sort of approximation of the final image, much less refined, but the basic idea.



The topmost layer is a map of ancient Jerusalem, showing the history of the city.



The center layer is the colored photograph of the palms and a clock tower, representing the future Jerusalem.



The bottom layer in my journal will likely be part of the overlay in the finished product, but it's appropriate here as the foundation of the work, the scripture that the whole concept of heaven is based on.



This particular scripture comes from Zechariah 2:4-5, "Jerusalem will someday be so full of people and livestock that there won't be room enough for everyone! Many will live outside the city walls. Then, I, myself, will be a protective wall of fire around Jerusalem, says the Lord. And I will be the glory inside the city!" This ties in with the references to the New Jerusalem in Revelation, speaking of a huge cube-like city brought down from heaven to earth, so much larger than the Jerusalem of the past, that it could house incredibly large numbers of people. We can only begin to imagine the glory of it all...