hope

I just finished a new piece titled "Hope." (You can click on the image to see it bigger.) Sometimes things seem very hard, but if we just look we'll see the hope shining through a situation. Hope is referred to many times in Scripture, and often is a direct reference to the knowledge that we will have eternal life with Christ in heaven - which when we really think about it, can really put things into perspective...

I'm thinking that this will start a new series for me, I really want to look forward a bit more. It's so easy to get caught in what we have to deal with now, and it can be hard to remember the hope we have to look forward to.

(You can see a little more about how this piece came to be on my Wanderings blog.)

more visions in the cafe & upper room

Hung a new set of work in the Cafe' and in the Upper Room yesterday. This time it's more Visions of Heaven work by Sheila Stockton, Karen Fields and myself. You can see several of Sheila's small bead embroidery works and Karen's watercolor "postcards" in the cafe.
And you can find most of my mixed media photo- graphic works in the Upper Room, also known as Room 211. As usual here, clicking on an image will give you a better view, but I hope you can get down to First Covenant Church to see it for yourself!

gospel train

Here's another new piece from Ross Conklin, titled "Got Ticket?" done in acrylic paints on canvas. (You can click on the image for a bigger view.) This time Ross takes his inspiration from the old spiritual, The Gospel Train's a Comin' (GT). He also points to Joel 2:32, which says, "Everyone who calls on the name of the Lord will be saved." Then in the New Testament to John 10:9, where Jesus says, "I am the gate. Whoever enters through me shall be saved."

Then Ross simply asks, "Got Ticket?"

quiet waters

I can't believe it has taken me so long to get back to this blog - but back again I am. This is work from another photographer in the group, Heather Montgomery, who joined us as we started our current "Creative Call" study. Heather's goal with her artwork is to capture the beauty she sees and to give glory to the God who created it all.

This black and white photo was inspired by Psalm 23:2,“He leads me beside quiet waters.” Heather says this about the work, "Here we see the beauty of God’s creation. The water is calm and relaxing which allows you to just be at peace and experience the closeness of God. If you just open your eyes, you will see that God’s beauty is all around us."

I think that sums it up pretty well.

solid rock

I'll be trying to incorporate more artworks from our various artists again - as long as they all keep me supplied with work! Today I'll catch up on a piece that's been hanging in the "Upper Room" at First Covenant, an acrylic painting by Ross Conklin.









This piece is titled "Solid Rock" and serves as an illustration for the common Biblical reference to God as our rock, the one steady constant in our lives. (You can click on the image to enlarge it.)

As Ross puts it, "The constant sea billows roll and pound as the Solid Rock stands fast. The rock represents God's strength as the rock of our salvation stands firm. The surging sea represents the push and pull of this world (the devil) who threatens to tear us down." Ross also shares a list of scriptural reference to God as our rock.

In Deuteronomy 32:4, "He is our rock. His works are perfect." In Second Samuel 22:2, "The Lord is my rock and fortress." King David repeatedly referred to God as his rock in difficult times. In Psalm 18:2, he says, "The Lord is my rock and fortress." Again in Psalm 19:14 he proclaims, "The Lord is my rock and redeemer." And once more in Psalm 61:2 he pleads, "as my heart grows faint; Lead me to the Rock that is higher than I." Isaiah also proclaims, "The Lord is my Rock eternal." (26:4) I'm sure that's not an exhaustive list of references to God as our rock, but I think it gets the message across. Need something solid in your life? God's your guy.

breathing in: finding inspiration

Our Creative Call study meets this evening; we'll be reviewing Chapter 5, "Breathing In." In this chapter author Janice Elsheimer covers the subject of inspiration and the Holy Spirit as the source of that inspiration.

I wanted to expand on a thought she puts under the heading "The Courage to Create... This week, try to focus on two main ideas:

1. paying attention
2. making time to breathe in the inspiration God offers you"

A good tool to help you get into the paying attention mode is to sit down with an observational checklist, which I use when I teach about art journaling with students. Inside the front or back cover of your sketchbook/journal, write down this list, then refer to it when you feel you must be missing something. Remember to listen as well as to look, sometimes we visual artists can forget to listen...

1. date
2. time
3. location
4. weather - include wind direction, cloud formations, the forecast for the day
5. first impressions
6. ground observations - really get down there & see what there, especially interesting if you're outside
7. eye-level observations - what is there just at your eye level?
8. overhead observations - spend some time looking up, we often ignore what's over our heads
9. whole landscape observations

This is something I do myself as an integral part of my creative process, I find it helps me focus on my work and what I'm seeing. It also gives me something to reflect back on during later parts of the creative process. (I've adapted this list from another great book, "Keeping a Nature Journal.")

Want to read what's on those journal pages? Just click on the image to see it enlarged!

grape vine "tree" updated

I recently got an email asking about the "vine tree" and I wanted to clarify some things about that, as well as share a "vine tree" image of my own. What I'm referring to isn't actually a tree, but a grape vine, as a botanical possibility of the tree of life.

There's alot more on the whole matter in the context of Jewish culture at Nehi's Tree of Life.



This is a new image of mine, not specifically intended to reflect an aspect of heaven, but does anyway, as my work usually does. Some time ago, I realized that all of my work illustrates my longing to be in perfect communion with God, like Adam and Eve had in the garden.

Sometimes when I'm working, especially shooting out in some quiet place all alone, I can almost be in that state, but it can be a hard thing for us to do now when we're on this currently imperfect earth. That's when I long for heaven to be brought down and the earth remade into something the same but more wonderful - and that's what always seems to come through in my work - at least when I've done it right...