Star in the East

And finally, this is Star in the East, part of the 8x8 Show at the Museum of Biblical Art last evening! Being so far away, I really have no idea how it went, so I'll just have to wait to hear... I was so honored to be able to participate in this event, which is only by invitation. It confirms that my calling in art is truly a gift from God and that I should continue to put an emphasis on him and his word in my work - maybe even emphasize it more, which can be a frightening thing in the open market where I show and sell my art. I would appreciate your prayers and support in this...

This piece is once again a depiction of a piece of the story of Christ's birth in Luke 2 and Matthew 2. Specifically Matthew 2:1-2, "Now after Jesus was born in Bethlehem of Judea in the days of Herod the king, behold, wise men from the east came to Jerusalem, saying, 'Where is he who has been born king of the Jews? For we saw his star when it rose and have come to worship him.'"

The photo that I chose had a natural spot where light was shining through the branches and it made the perfect location for the star, in fact, this is where the concept of the star came from for all four pieces. There is a map of Bethlehem, where the star would lead the wise men to find Christ, and a cow that marks his birth in a stable. While it is easy for the story to get old in the retelling, it is still an amazing thing that the king of glory would come to earth in such a humble manner, first into the lives of such young and inexperienced parents, so completely humble. Like the wise men, we have to be looking for his signs to find him, then seek him out. When we do, we are warmly welcomed, whether we are rich and kingly or the lowest in our society as were the shepherds. It's most often a quiet thing, but the most important thing we could ever do...

Go to Bethlehem

Just in time for Christmas...

 A little more than a month ago I was invited to a special museum show, asking for a Christmas themed work (and to keep the whole thing hush-hush.) I felt incredibly honored even on the crazy short deadline I was given and I said yes right away. But I didn't have time for pressure and over thinking to screw up my creative process, so I decided to make not one piece, but four, and then to choose the one I liked best to submit. Since there was no pressure for any single work, I was able to work out my chosen theme in four different ways and in the end I was quite happy with all four. So I'll present them here in the next few days and by the time I show you the final one, I'll be able to say where it went as well.

All four works were based on the familiar story about the birth of Christ from Luke 2 and Matthew 2. This work is called "Go to Bethlehem" as that is where Joseph and Mary had to go and so followed the shepherds and the wise men...You can see in this piece a map of Bethlehem, a sketch of animals that could have been in a stable, scripture from the Bible story and the photo of palms to help you envision the town of Bethlehem.

Walk of Faith

In my Wanderings blog today, I compare my walk with the dogs with my walk of faith...

sacred spaces

Covenant Artists have been meeting biweekly lately to read over Scripture about the Christmas story & the many prophecies that concern the coming of Christ. Many have begun to get visions of what God would have us communicate - or what God is communicating to us - from these Scriptures and it's an exciting process.

Finally, we are beginning to produce sketches and share our ideas and visions in a physical manner. I'm hoping to get several artists to share with me so that I can share them on this blog.

Allison Carlos has a passion for the concept of creating sacred spaces, such as within sanctuaries and she has shared some sketches with me, so now I'm sharing with you. She was particularly inspired by the scripture in Luke 1:28-35 and Matthew 1:20.

Alison explains, "I merged my work on creating pieces for sacred spaces with the Christmas Art Project. My concept for two pieces that are intended to hang together are: (1) Mary with the angel telling her about how the Holy Spirit will hover over her and she will be with child (little Jesus) and (2) Joseph's dream when the Lord tells him that he should not be afraid to take Mary home as his wife even though she is pregnant."


"So, the two rough sketches are attached. The challenge is that I intend to paint these pieces using the colors of the Church Calendar. These are Advent pieces, and the primary colors for Advent are purple and blue with some use of rose. The challenge comes with the use of this very limited palette of analogous colors (colors essentially from common sides of the color wheel). So, we shall see how it goes."

contrasting heaven & earth

Today we've got another piece from Jared Konopitski, whose visions are unlike any others. This image is called "Out of Tears" and is in Jared's signature colored pencil style, digitally enlarged to poster size creations.

His inspiration for this image comes from Luke 6:21, where Jesus said those on earth will laugh in heaven, as well as from Mathew 18:3, where He said, "I tell you the truth, unless you change and become like little children, you will never enter the kingdom of heaven."

Jared describes the piece as illustrating "a child being birthed into heaven out of a world of tears." He made the contrast of laughing in heaven to crying (tears) on earth; much like some passages of scripture do (though I can't at the moment remember where.) We all can acknowledge that life on earth in the here and now can be a very painful experience and this work is a reminder that all of that pain will no longer exist when we live in the presence of God. Praise Him for that!

road to heaven?

Ross Conklin is consistently stretching himself for this project, and the results are always impressive. Today's work from Ross is a colored pencil drawing titled, "The Road of Life."

For this piece, Ross refers to Matthew 7:13-14, “Enter through the narrow gate. For wide is the gate and broad is the road that lead to destruction and many enter through it. But small is the gate and narrow is the road that lead to life and only a few find it.” You can see all of these things in his modern illustrationof this scripture, including the road to hell that is paved with good intentions.

To underscore that it is each individual's choice, Ross points to Joshua 24:15: “But if serving the Lord seems undesirable to you, then choose for yourself this day whom you will serve. As for me and my house, we will serve the Lord.” He reminds viewers that "we have only one life to live on earth, so be alert!" Finally, Ross underscores the concept of the road to hell that is paved with good intentions instead of accepting Christ with Proverbs 14:12: “There is a way that seems right to a man but in the end it leads to death.”

the mustard tree

As I've been reading through the New Testament now, I've found that Jesus tells a lot of stories that start, "The kingdom of heaven is like..." and proceeds to give an illustration of some aspect of God's domain. The story of the mustard seed is one of those stories, found almost verbatim both in Matthew 13: 31-32 and Luke 13: 18-19. Jesus says, "The kingdom of heaven is like a mustard seed planted in a field. It is the smallest of all seeds, but it becomes the largest of garden plants; it grows into a tree, and birds come and make nests in its branches." (Matthew)

Many of you know that I have a personal ongoing project called Tree Stories, with an accompanying blog at http://www.tree-stories.blogspot.com/, so the story of heaven being like a tree was something I had to jump at. So the first thing I set out to do was find out what a mustard tree looked like, and see if there were any near me that I could get a photograph of. Not long into my online research, I realized there is no such thing as a mustard tree - so what, I had to ask, was Jesus talking about? And I found a commentary that seemed to answer that exact question, better than anything I had ever heard. (Unfortunately I don't know where that was, but if someone else finds it again, I'll put a link in here.)

So here's what Jesus was saying, that heaven is like a seed you plant, the tiniest of seeds, expecting to get a bush, actually a pretty big bush from such a small seed, and what you get is a tree, larger than anything else in the garden, bigger and better than you would have ever expected. It's not just the concept of a huge thing coming from a small thing, like I have seen some translations make the story a pine nut and a huge pine tree - no, heaven is more than what you expect, impossible for you to completely imagine, better than your wildest dreams! Jesus wasn't referring to some obscure tree and as the Creator himself, he certainly knew that trees don't grow from mustard seeds - but he wanted us to understand that is exactly what heaven is like - the impossible come to life.

So this will become one of my Visions of Heaven, also one of my Tree Stories, and the title is Tree Story #30: The Mustard Tree. This colored version here is just a colored copy, but I'll post the final here when I get that far. I've got other pieces that are Visions of Heaven Tree Stories, which you can find on my Tree Stories blog, but I'll post here with a little more commentary at a later date.

(If you click on the "mustard tree" link below, you will see all my posts on the subject, including the final piece.)

work from ross conklin

Ross Conklin is often one of our more quiet artists, but he certainly doesn't lack anything to say. It seems that Ross carefully considers his words before sharing and the same applies to his artistic expressions as well.

Ross works in acrylic paints, and his control is amazing when you see him write or draw, because you realize that he has tremors in his hands that would deter most people from even attempting such fine motor control. Ross says that he uses both hands to control his paint brushes, and is rewarded with results that many artists without such physical hurdles would be proud of.

This piece is Ross's first Vision of Heaven, which he actually painted before we began this project, titled "Watch and Pray." Ross explains, "For the Son of Man will come at an hour you do not expect Him. All eyes will see Him. We must come to God as little children. Old things shall pass away and everything will become new. We are redeemed by His blood." He provides several scriptures to support his work, including Isaiah 9:2, which says, "The people walking in darkness have seen a great light; on those living in the land of the shadow of death a light has dawned." He also sites Isaiah 12, a song of praise to God, and Isaiah 40, which describes how God would release Israel from captivity to Babylon as well as the final days when Christ returns to earth.

Ross seems to almost explain his artistic vision with Daniel 7:13, which says, "In my vision at night I looked, and there before me was one like a son of man, coming with the clouds of heaven. He approached the Ancient of Days and was led into his presence."

The child figure in the piece is explained by Matthew 18: 1-6, in which Christ speaks of entering into heaven as children and in Matthew 19: 13-14, when Jesus says to allow children to come to him. In Matthew 24 Jesus teaches about the future, his return, and about being watchful, giving overall context; it's also from this scripture that the piece gets its title.

An all too common refrain when Christian concepts are discussed is that it all seems a bit crazy, but Ross points out I Corinthians 2: 14-15, which explains that "the man without the Spirit does not accept the things that come from the Spirit of God, for they are foolishness to him, and he cannot understand them, because they are spiritually discerned. The spiritual man makes judgments about all things, but he himself is not subject to any man's judgment."

The importance of the cross as access to heaven is explained in Colossians 1:20, "And through (Jesus) to reconcile to himself all things, whether things on earth or things in heaven, by making peace through his blood, shed on the cross." And again in Colossians 2:14-15: "Having canceled the written code, with its regulations, that was against us and that stood opposed to us; he took it away, nailing it to the cross. And having disarmed the powers and authorities, he made a public spectacle of them, triumphing over them by the cross."

Finally, Ross directs the focus of the whole artwork on the sun, a metaphor for God's son, illustrating Hebrews 12:2, "Let us fix our eyes on Jesus, the author and perfecter of our faith, who for the joy set before him endured the cross, scorning its shame, and sat down at the right hand of the throne of God."