mystery, excitement, encouragment

Here's another acrylic work from Ross Conklin, titled, "The Coming of the Lord."

"Behold, I tell you a mystery. We shall not all sleep, but we shall all be changed, in a moment, in the twinkling of an eye, at the last trumpet. For the trumpet shall sound and the dead shall be raised incorruptible, and we who are alive and remain shall be changed and caught up together with the Lord in the air. So shall we forever be with Him." This is the main theme for this piece, coming from 1 Corinthians 15: 51-52. Beginning in verse 15 and continuing to verse 58, that chapter speaks extensively of the resurrection of the dead to be with Christ, and of the nature of the resurrection body, different from our current bodies.

Ross illustrates this event, showing the trumpet being blown, and believers joining Christ, above the trumpet blower, in the air. Ross shares his excitement about this event, as with his previous pieces, in his choice of palette; the bright, nearly primary colors making our hearts race just a bit, and we are encouraged, as mentioned in 1 Thessalonians 4: 13-18:

"Brothers, we do not want you to be ignorant about those who fall asleep, or to grieve like the rest of men, who have no hope. We believe that Jesus died and rose again and so we believe that God will bring with Jesus those who have fallen asleep in him. According to the Lord's own word, we tell you that we who are still alive, who are left till the coming of the Lord, will certainly not precede those who have fallen asleep. For the Lord himself will come down from heaven, with a loud command, with the voice of the archangel and with the trumpet call of God, and the dead in Christ will rise first. After that, we who are still alive and are left will be caught up together with them in the clouds to meet the Lord in the air. And so we will be with the Lord forever. Therefore encourage each other with these words."

Thanks for sharing, Ross!

halleluia

Here's another acrylic work from Ross Conklin; the man has certainly been busy painting.

This piece is titled, "Halleluia," portraying the welcoming committee at the gate of heaven with singing and dancing as the "Saints Go Marching In." Once again relating his visual work to his musical roots, Ross this time finds inspiration in the old Negro spiritual. Ross also says, "Notice the joyful faces welcoming a newcomer at the gate of heaven."

Ross offers scriptural references supporting a big party at heaven's gates first from Isaiah 35:10.
"And the ransomed of the Lord will return.
They will enter Zion with singing;
everlasting joy will crown their heads.
Gladness and joy will overtake them,
and sorrow and sighing will flee away."

While 1 Corinthians 2:9 has been used to support the concept that we can't envision what heaven will be like, the first part of verse 10 clearly states that we can. In it's entirety, the passage says, "However, as it is written:
'No eye has seen,
no ear has heard,
no mind has conceived
what God has prepared for those who love him'
but God has revealed it to us by his Spirit."
Ross uses it here to point out that it will likely be even better than we can imagine or possibly depict in our limited capabilities as human artists. Nonetheless, his depiction stirs our imaginations.

Once again, Ross points out that any who ask can be a part of this great celebration by pointing to Revelation 22: 14-17. "'Blessed are those who wash their robes, that they may have the right to the tree of life and may go through the gates into the city. Outside are the dogs, those who practice magic arts, the sexually immoral, the murderers, the idolaters and everyone who loves and practices falsehood.
'I, Jesus, have sent my angel to give you this testimony for the churches, I am the Root and the Offspring of David, and the bright Morning Star.'
The Spirit and the bride say, 'Come!' And let him show hears say, 'Come!' Whoever is thirsty, let him come, and whoever wishes, let him take the free gift of the water of life."

I'm certainly looking forward to being at that party!

more from ross

This is another piece from acrylic painter Ross Conklin titled, "The New Jerusalem."

For this piece, Ross, who has spent much of his life as a musician as well, draws from the old slavery spiritual, "Goin' to that Beautiful City." He shows us the new Heaven and new Earth coming down from heaven, referred to in Revelation 21, then also refers to Isaiah 12, a song of praise looking forward to the new Jerusalem.

Another reference that Ross uses for this piece is Ecclesiastes 12:5,
"When men are afraid of heights
and of dangers in the streets;
when the almond tree blossoms
and the grasshopper drags himself along
and desire no longer is stirred.
Then man goes to his eternal home
and mourners go about the streets."

Ross points out that believers will be welcomed in the New Jerusalem with 2 Peter 1:11, which says,"And you will receive a rich welcome into the eternal kingdom of our Lord and Savior Jesus Christ."Echoing the sentiment, Ephesians 2:19 says, "Consequently, you are no longer foreigners and aliens, but fellow citizens with God's people and members of God's household."

Finally, Ross refers to Revelation 22: 14-17, which points out that all who invite Christ into their lives will be invited into the New Jerusalem. "Blessed are those who wash their robes, that they may have the right to the tree of life and may go through the gates into the city. Outside are the dogs, those who practice magic arts, the sexually immoral,the murderers, the idolaters and everyone who loves and practices falsehood.
'I, Jesus, have sent my angel to give you this testimony for the churches. I am the Root and the Offspring of David, and the bright and morning star.'
The Spirit and the bride say, 'Come!' And let him who hears say, 'Come!' Whoever is thirsty, let him come, and whoever wishes, let him take the free gift of the water of life."

work from ross conklin

Ross Conklin is often one of our more quiet artists, but he certainly doesn't lack anything to say. It seems that Ross carefully considers his words before sharing and the same applies to his artistic expressions as well.

Ross works in acrylic paints, and his control is amazing when you see him write or draw, because you realize that he has tremors in his hands that would deter most people from even attempting such fine motor control. Ross says that he uses both hands to control his paint brushes, and is rewarded with results that many artists without such physical hurdles would be proud of.

This piece is Ross's first Vision of Heaven, which he actually painted before we began this project, titled "Watch and Pray." Ross explains, "For the Son of Man will come at an hour you do not expect Him. All eyes will see Him. We must come to God as little children. Old things shall pass away and everything will become new. We are redeemed by His blood." He provides several scriptures to support his work, including Isaiah 9:2, which says, "The people walking in darkness have seen a great light; on those living in the land of the shadow of death a light has dawned." He also sites Isaiah 12, a song of praise to God, and Isaiah 40, which describes how God would release Israel from captivity to Babylon as well as the final days when Christ returns to earth.

Ross seems to almost explain his artistic vision with Daniel 7:13, which says, "In my vision at night I looked, and there before me was one like a son of man, coming with the clouds of heaven. He approached the Ancient of Days and was led into his presence."

The child figure in the piece is explained by Matthew 18: 1-6, in which Christ speaks of entering into heaven as children and in Matthew 19: 13-14, when Jesus says to allow children to come to him. In Matthew 24 Jesus teaches about the future, his return, and about being watchful, giving overall context; it's also from this scripture that the piece gets its title.

An all too common refrain when Christian concepts are discussed is that it all seems a bit crazy, but Ross points out I Corinthians 2: 14-15, which explains that "the man without the Spirit does not accept the things that come from the Spirit of God, for they are foolishness to him, and he cannot understand them, because they are spiritually discerned. The spiritual man makes judgments about all things, but he himself is not subject to any man's judgment."

The importance of the cross as access to heaven is explained in Colossians 1:20, "And through (Jesus) to reconcile to himself all things, whether things on earth or things in heaven, by making peace through his blood, shed on the cross." And again in Colossians 2:14-15: "Having canceled the written code, with its regulations, that was against us and that stood opposed to us; he took it away, nailing it to the cross. And having disarmed the powers and authorities, he made a public spectacle of them, triumphing over them by the cross."

Finally, Ross directs the focus of the whole artwork on the sun, a metaphor for God's son, illustrating Hebrews 12:2, "Let us fix our eyes on Jesus, the author and perfecter of our faith, who for the joy set before him endured the cross, scorning its shame, and sat down at the right hand of the throne of God."

more from jared

Jared thought he was a major procrastinator, but little did he know it would then become contagious! After two long silent (and for me, very busy) weeks, an update on our Heaven art project!

From Jared's keyboard, "Here is my new image. But this time I have also included the beginning stages of the drawing.

Image one represents the initial pencil stage. A rough sketch that will later become the final image.


Image two represents the ink stage. I outline the sketch with ink and erase the pencil line.


Image three is the final stage. I add the color and a lot of black pencil to make the final work.


This particular image was inspired by Hebrews 12:1. "Therefore, since we are surrounded by such a great cloud of witnesses, let us throw off everything that hinders and the sin that so easily entangles, and let us run with perseverance the race marked out for us." This image is an average man stripping off the sin that entagles him to begin that extraordinary race."

Thanks a bunch, Jared!